Pontificating about the future.

Last year, I was a speaker at the New Riders Voices That Matter conference in Nashville, TN. While there, I was interviewed by Nikki McDonald, with whom I discussed everything from getting blackballed by gGogle, to how to protect yourself online, to the future of communication. Check out the interview on the Peachpit Web site: How to Protect Yourself in the Future with Jason Cranford Teague.

(Notice the clever  Yuri’s Night product placement on my T-shirt.)

Tags: Culture, Technology by Jason Cranford Teague
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Watchmen on the iPhone

So, it looks as if the legal bru-ha-ha between Fox and Warner Brothers is finally over, and the long awaited Watchmen movie will make it to the big screen on time (March 6th) with Fox much the richer for it. But this is not the first time the Watchmen will have been brought to life in motion.  In conjunction with the Movie, DC comics is releasing “Motion Comics” of the 12 issues of Watchmen, taking the original panel art and adding simple animation, a music score and a single narrator reading all of the parts. 

Currently, episodes are available up to issue 10, each lasting a little under half an hour and selling for $1.99 each through the iTunes and Amazon.com. 

The Interactive Watchmen iPhone App

Although I’m sure the author, Alan Moore,  would disagree, the overall effect is quite good, and makes for a great way to enjoy the story on the go. The art is well preserved and the animation is smooth, although not nearly as complex as it might be if it had been fully animated. Still, it’s miles better the Clutch Cargo.

The single narration voice is not completely to my liking, they could have at least splurged and gotten a female narrator for female characters. Silk Specter may smoke, but the narrators gravely voice is about as sexy as a lime green polyester pants suite.

What intrigues me most about the Watchmen Motion Comic, though, was how seemingly easy it was to take the static images of the comic page, which require a more active role for the reader to animate the action in their minds, and turn it into the more passive video format. Although this is far from the atrocity that colorizing old black and white movies was in the 1980′s, it does give me some pause for thought.

Moore commented in a recent interview with the LA Times that, “There are three or four companies now that exist for the sole purpose of creating not comics, but storyboards for films.” In fact, It looks as if they don’t even need to make the film, but simply take the storyboards and animate them. But why is this a problem? It does take a dimension out of the hands of the reader, placing it back into the creator (or a creator’s) control, but is that necessarily a bad thing?

This is one of the important questions I’m hoping that my panel at SXSW will be addressing next month in Austin. If you have any thoughts or will be at the panel and have suggestions, leave a comment her or email me.

Check out the Watchmen Chapter 1 Teaser, and let me know what you think.

Tags: Culture, Technology by Jason Cranford Teague
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Heavy Liquid: Cyberpunk in the cyber-age.

At its best, a good Cyberpunk story will drag you through a gritty future reality while simultaneously taking you to see a world beyond that reality. The graphic novel Heavy Liquid, starts strong along that path, promising even to be an inspired addition to the genre, but eventually becomes too bogged down in secondary charchters and sub-plots to warrant its epiphanal ending.

Although Heavy Liquid starts to touch on political themes and the individual’s role within an monolithic World government and ubiquitous technology, like other themes in the book, it feels as if the author has picked it up to do something meaningful, and then gets distracted trying to push the story forward, forgetting where he left the theme. And that’s a shame, because it feels as if he has a lot to say on this, but never arrives, pushing the reader to think, but not really taking them anywhere.

Still, this was an enjoyable read with a realistic look at one possible future as we head into the singularity. I’m wondering if this is a stand-alone story or the first in a series. If a series, then I think this is a good, though flawed, first chapter.

Tags: Culture, Technology by Jason Cranford Teague
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